Skip to content

Tag: Richard Prince

There is a ton of interest in Jeff Krulik right now.

The thing is, there should always be a lot of interest in Jeff Krulik.

I would say that most people know him for the best rock documentary ever made, Heavy Metal Parking Lot. HMPL was filmed in the parking lot at the Capital Center in the early eighties before a Judas Priest/Scorpions show. The movie pretty much gives you all you would ever want as far as mullets, perms, pubestaches, and general hessian behavior. The thing is though the interest in these folks seem real and genuine. I do believe that Krulik’s work bears a interesting resemblance to one of the primary male preoccupation’s (after sex) record collecting.

What I mean in particular is that the cataloging and (nerdy) interest in the groups of people that he films seems to be overly rich in detail and cultural signifiers, he allows the subjects to simply be and in that approach his work has a biting sincerity that is far superior to the only other artist who is as interested in the “trainspotting gene” as he is, Richard Prince. I love Richard Prince, but Krulik is less removed and more in the moment and for me, that makes a big difference in the experience of the work. I guess you could say that where Krulik is hot, where Prince is cool.

Sidebar: if anyone has a vinyl version of Television’s Double Exposure let me know, the songs with Richard Hell are a bonus. The interesting thing to me is the two pre-Marquee Moon sets of studio recordings, including their very first demos with a relatively new producer named Brian Eno.

Leave a Comment

Richard Prince – "The New Girlfriends"

Recently Glen O’Brien has become the co-editor of Interview magazine. I think that is a great choice by the publisher – a kind of prodigal son returns home kind of thing. One of the great things about a son returning home is that all his friends are going to start dropping in, this month it’s Richard Prince, Christopher Wool, and Richard Hell.

Interview has RP photographing the actresses from the new Battlestar Galactica show. He has shot them in a way that directly points at some of his work – notably “Girlfriends”. You might remember the “Girlfriends” as the biker girl photographs. I call theses images “The New Girlfriends” – Hollywood starlets wearing all the right clothing labels and attitudes – but not the same sense of freedom or even sexiness. It makes perfect sense now why the “Girlfriends” are stronger (and sexier) when re-photographed. Maybe RP should have had some bikers take the photos, and then photographed those. Offhanded joke aside, I’m not sure RP needs to be re-engineering his past work – it just seems like there is so much still to do.

I bought Interview at a news stand, I hope you live near a place that sells magazines.

Photo by: Richard Prince

Leave a Comment

New York , Tuesday Nov 6, 2007 (post two of two)

Johnnie Winona Ross at Stephen Haller
JWR’s latest show at Stephen Haller clearly extends the vocabulary of approaches involved in building images in a reductive vein. JWR has placed his emphasis on the process as well as the final image, allowing the viewer to become engaged in the making of the artwork since it literally sits on and slightly below the surface. Concerns about the attachment of the canvas to it’s support are as evident as always via handcrafted tacks showing along the side of the stretcher.

The show, titled, Deep Creek Seeps, is a series of quiet paintings, that upon closer or longer inspection reveal themselves in unexpected ways, suddenly you become aware of just how much detail and concern is placed in each image. It may take a moment, but once you start looking, the artworks become as busy as the desert that they are so obviously inspired by. Let me take a moment to unpack that a little, the desert, to the average viewer is just that, sand maybe a cactus every once in a while. Once you start looking in depth at the desert you find a complex system of life, it’s always been there – you just have to look for it and possibly wait for it.

I’m always amazed at how many different elements actually make up a single piece in JWR’s work.

Extended play
JWR has just had hist first monograph published. Covering JWR’s work from 1995 to the present with writing from Carter Ratcliff and Douglas Drieshpoon only add to this gorgeous book. Published by Radius books, and designed by Skolkin+Chickey it is available in two versions – one a standard hardbound edition and the other a clamshell including the book and a limited edition print. It is available through Stephen Haller Gallery as well as being distributed by DAP.

The show runs through November 24th.

Jaq Chartier at Schroeder Romero
Jaq Chartier mixes science and art in creating cerebral and sensual artworks. Clearly the art side (painting) is the primary concern mixed in with a strong experimental approach to the images and the chemicals that make them. I’ve spoken about JC’s work here before so it should come as no surprise to see it mentioned here. The latest show at Schroeder Romeo continues with works from the “testing” series. These are the images that initially interested me in JC’s work, I think you will find them interesting as well.

The show runs through November 24th.

Richard Prince at the Guggenheim
This show was everything I wanted it to be. That said, I’ve talked about RP way too much over the last couple of months – so this will be short. The best pieces for me are the car hoods. I’ve read interviews that RP thinks that maybe the car hoods are to minimal – and he’s right, they are. However, they are stripped down and out of step with the rest of the work, and to me that speaks volumes about the core subject of the artwork and the changes that have been made and will continue to be made in the future.

I once read a review of the girlfriend images and the author referred to them as the sexiest images of women she had seem in a long time. I realized that she was right, I wish I could remember who wrote that.

The show runs through January 9th.

Leave a Comment

Thinking about Richard Prince (just a little)

I spent the weekend at my brothers wedding in the outskirts of Albany New York this weekend (Congrats again Marty and Kate). Martin (ANABA) and I had been speaking about getting together and he was going to take me to see Second House, well long story short it rained all day Saturday (my only day that was available) and Martin and I missed each other, so I missed out. But not really. Catherine and I drove all over Rensaeller getting to know the area and did a little bit of poking around.

What we saw was the one of the reasons (I think) why RP has decided to move here.

Source material. The whole area has a whole slew of material that is just ripe for RP, this area has the older things that are still there – in a shape that is still interesting enough to use (conceptually or physically). Literally the bones were sticking out of the graveyard.

Leave a Comment

The music from the balconies nearby was overlaid by the noise of sporadic acts of violence

The above quote is from the novel High Rise, by JG Ballard. 20 years (maybe more) I was introduced to the writings of JG Ballard, to say it changed the way I see certain things is an understatement. Ballard is best known for his groundbreaking work of fiction called Crash. Followed by his memoir of his childhood called Empire of the Sun. However for me, High Rise is the work that speaks to the new, or should I say future, urban experience.

I was jogged back into thinking hard about JGB last week when the New York Times Magazine ran a fashion spread (sample image above) in which the models were adorned in great clothes but also great medical equipment. This spread immediately triggered me to think about Crash. A few years ago Crash was made into a movie with a reasonable degree of success, however it is the themes of Crash that carry the greatest weight; The sexualization of the car crash, the fetishization of damage, and finally the objectification of the scar on the human body as sexual device. This is clearly not dinner table conversation to be sure.

Funny enough the paper this weekend had a short article (New York Times – Arts and Leisure) about Richard Prince’s recent work about/using the automobile. Clearly JGB and Prince are using the automobile as a device that speaks of an everyday experience although, clearly Ballard’s view is far from everyday – however I can see parts of society moving in a curious direction.

Why am I writing about Ballard in my “artblog”? I think it is because usually I look at art and think about the experience, then when I discuss the art, most often I discuss its “Meta”, rarely it’s experience. (meta is a prefix used in order to indicate a concept which is an abstraction from another concept, used to complete or add to the latter) I find that the writings of JG Ballard, have adjusted the focus of the lens that I view, and ultimately discuss art with.

Where to start?
The three most groundbreaking books are: Crash, High Rise and, Concrete Island. You might find one of them in a better bookstores, or you might try this internet shopping all the kids are talking about.

There are some videos on YouTube as well.

2 Comments