{"id":449,"date":"2006-08-28T08:13:00","date_gmt":"2006-08-28T08:13:00","guid":{"rendered":"http:\/\/www.matthewlangley.com\/blog\/?p=449"},"modified":"2006-08-28T08:13:00","modified_gmt":"2006-08-28T08:13:00","slug":"noted-collecting-contemporary","status":"publish","type":"post","link":"https:\/\/matthewlangley.com\/blog\/?p=449","title":{"rendered":"Noted: Collecting Contemporary"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.matthewlangley.com\/blog\/uploaded_images\/blog_monday-767351.jpg\"><img style=\"cursor:pointer; cursor:hand;\" src=\"https:\/\/i1.wp.com\/www.matthewlangley.com\/blog\/uploaded_images\/blog_monday-764247.jpg\" border=\"0\" alt=\"\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p>Collecting Contemporary is a new title from Taschen on guess what &#8211; collecting art. I was curious to read these interviews to get a perspective of the many layers that go towards accepting or rejecting artwoks\/artists especially because of the people interviewed in this project. Rarely do I read interviews with collectors that are longer than a paragraph or two at best &#8211; in this case 11 collectors are interviewed over 60 pages.  I&#8217;ll drop names in a few moments, but the basic structure of the book is this:<\/p>\n<p>The art world is broken down into seven basic areas (lets call these &#8220;verticals&#8221;)<br \/>The Artists<br \/>The Dealers<br \/>The Critic<br \/>Consultants<br \/>Collectors<br \/>Auction Houses<br \/>Museum Professionals<\/p>\n<p>After introducing these verticals we have a few interviews with seriously prominent people in their spaces. of these areas &#8220;The Artist&#8221; is the one area not involved in this book &#8211; this makes a ton of sense to me because it&#8217;s really about collecting the product of that verticals work. <\/p>\n<p>For me the real meat of the book is in the Dealer and Collector interviews. This is also where most of the focus of the book is. I&#8217;ll admit the interviews are all from the high end of collecting &#8211; but lets face it I&#8217;m thrilled to hear what dealers like Marc Glimcher and Marianne Boesky and collectors like Peter Brant and Charles Saatchi have to say. (A side note: Mr. Saatchi is known for buying heavily in a single artist and then after a few years &#8211; dumping almost the entire collection of that artist &#8211; many people know that he sold most of Damian Hirsts work back to the artist &#8211; but I was not aware of the massive change in availability in Sandro Chia&#8217;s market after this happened. Mr. Saatchi denies this was his fault &#8211; while many dealers point toward him for the Chia devaluations). <\/p>\n<p>As an artist, I find this book to be valuable because it has started to allow my further understanding of the collector a bit more as well as the dealer and his\/her relationship in the business process of art. Overall an interesting read depending on your interest in the business mechanisms of the art world.<\/p>\n<p>Bonus: A six page <a href=\"http:\/\/www.matthewlangley.com\/blog\/images\/excerpt_CC.pdf\">excerpt from the latest Taschen catalog<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Collecting Contemporary is a new title from Taschen on guess what &#8211; collecting art. I was curious to read these interviews to get a perspective of the many layers that go towards accepting or rejecting artwoks\/artists especially because of the people interviewed in this project. Rarely do I read interviews with collectors that are longer than a paragraph or two at best &#8211; in this case 11 collectors are interviewed over 60 pages. I&#8217;ll drop names in a few moments, but the basic structure of the book is this: The art world is broken down into seven basic areas (lets&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/matthewlangley.com\/blog\/?p=449\">Continue reading<span class=\"screen-reader-text\">Noted: Collecting Contemporary<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/449"}],"collection":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=449"}],"version-history":[{"count":0,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/449\/revisions"}],"wp:attachment":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}