{"id":175,"date":"2008-10-09T14:13:00","date_gmt":"2008-10-09T14:13:00","guid":{"rendered":"http:\/\/www.matthewlangley.com\/blog\/?p=175"},"modified":"2008-10-09T14:13:00","modified_gmt":"2008-10-09T14:13:00","slug":"the-problem-with-brown-paintings","status":"publish","type":"post","link":"https:\/\/matthewlangley.com\/blog\/?p=175","title":{"rendered":"The problem with brown paintings"},"content":{"rendered":"<p>Just in case you were laboring under the delusion that wealthy collectors buy expensive contemporary art at auction, impelled by their unerring connoisseurship and in-depth art-historical knowledge, Amy Cappellazzo, quoted in Sarah Thornton&#8217;s fascinating new book <i>Seven Days in the Art World<\/i>, will put you right. <\/p>\n<p>According to the co-director of postwar and contemporary art at Christie&#8217;s, cheerful colours are the thing: &#8220;Brown paintings don&#8217;t sell as well as blue or red paintings.&#8221; Then there&#8217;s the medium: &#8220;Collectors get confused and concerned about things that plug in.&#8221; Finally, size matters (doesn&#8217;t it always): &#8220;Anything larger than the standard dimension of a Park Avenue elevator generally cuts out a certain sector of the market.&#8221; This is confirmed by a collector, speaking anonymously to Thornton during a sale about Warhol&#8217;s Mustard Race Riot: &#8220;It&#8217;s a great historical piece, but it&#8217;s not a very appealing colour and it&#8217;s too large to hang easily in one&#8217;s home.&#8221;<\/p>\n<p>Quoted wholesale from the <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2008\/oct\/08\/art1\">Guardian<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just in case you were laboring under the delusion that wealthy collectors buy expensive contemporary art at auction, impelled by their unerring connoisseurship and in-depth art-historical knowledge, Amy Cappellazzo, quoted in Sarah Thornton&#8217;s fascinating new book Seven Days in the Art World, will put you right. According to the co-director of postwar and contemporary art at Christie&#8217;s, cheerful colours are the thing: &#8220;Brown paintings don&#8217;t sell as well as blue or red paintings.&#8221; Then there&#8217;s the medium: &#8220;Collectors get confused and concerned about things that plug in.&#8221; Finally, size matters (doesn&#8217;t it always): &#8220;Anything larger than the standard dimension of&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/matthewlangley.com\/blog\/?p=175\">Continue reading<span class=\"screen-reader-text\">The problem with brown paintings<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[141,163],"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/175"}],"collection":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=175"}],"version-history":[{"count":0,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/175\/revisions"}],"wp:attachment":[{"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/matthewlangley.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}