Skip to content

Tag: Jaq Chartier

New York , Tuesday Nov 6, 2007 (post two of two)

Johnnie Winona Ross at Stephen Haller
JWR’s latest show at Stephen Haller clearly extends the vocabulary of approaches involved in building images in a reductive vein. JWR has placed his emphasis on the process as well as the final image, allowing the viewer to become engaged in the making of the artwork since it literally sits on and slightly below the surface. Concerns about the attachment of the canvas to it’s support are as evident as always via handcrafted tacks showing along the side of the stretcher.

The show, titled, Deep Creek Seeps, is a series of quiet paintings, that upon closer or longer inspection reveal themselves in unexpected ways, suddenly you become aware of just how much detail and concern is placed in each image. It may take a moment, but once you start looking, the artworks become as busy as the desert that they are so obviously inspired by. Let me take a moment to unpack that a little, the desert, to the average viewer is just that, sand maybe a cactus every once in a while. Once you start looking in depth at the desert you find a complex system of life, it’s always been there – you just have to look for it and possibly wait for it.

I’m always amazed at how many different elements actually make up a single piece in JWR’s work.

Extended play
JWR has just had hist first monograph published. Covering JWR’s work from 1995 to the present with writing from Carter Ratcliff and Douglas Drieshpoon only add to this gorgeous book. Published by Radius books, and designed by Skolkin+Chickey it is available in two versions – one a standard hardbound edition and the other a clamshell including the book and a limited edition print. It is available through Stephen Haller Gallery as well as being distributed by DAP.

The show runs through November 24th.

Jaq Chartier at Schroeder Romero
Jaq Chartier mixes science and art in creating cerebral and sensual artworks. Clearly the art side (painting) is the primary concern mixed in with a strong experimental approach to the images and the chemicals that make them. I’ve spoken about JC’s work here before so it should come as no surprise to see it mentioned here. The latest show at Schroeder Romeo continues with works from the “testing” series. These are the images that initially interested me in JC’s work, I think you will find them interesting as well.

The show runs through November 24th.

Richard Prince at the Guggenheim
This show was everything I wanted it to be. That said, I’ve talked about RP way too much over the last couple of months – so this will be short. The best pieces for me are the car hoods. I’ve read interviews that RP thinks that maybe the car hoods are to minimal – and he’s right, they are. However, they are stripped down and out of step with the rest of the work, and to me that speaks volumes about the core subject of the artwork and the changes that have been made and will continue to be made in the future.

I once read a review of the girlfriend images and the author referred to them as the sexiest images of women she had seem in a long time. I realized that she was right, I wish I could remember who wrote that.

The show runs through January 9th.

Leave a Comment

Art Basel and orbiting events – day three

Let’s start with my catching up with yesterday information about Flow.
Arthur Roger Gallery (New Orleans) is showing Nicole Charbonet (top) whose built and developed paintings are a new interest if mine – I became interested after seeing them in ArtPapers magazine and in person they are as strong as they seemed.

Kenise Barnes (Larchmont NT) is showing Robert Flynn (above) who does these amazing charcoal and graphite images of sod. I know this sounds weak – but it’s just the opposite. These are amazing images and deserve your attention. A recent work is based on trophies and “boy toys” (my phrase) – well worth searching out. I understand he also does some amazing sculpture of items found in Home Depot – it sounds good so I’m waiting for that.
Miller Block (Boston) is showing Lori Nix who was gotten enough words from me in the last few days. So you know that you should be looking at her work a good bit.

After Flow yesterday, I had even lower hopes for the Bridge show. So I walk in and am handed the second largest and physically intimidating catalog of the last week – its almost the size of “Parabola” that I mentioned on wednesday ok, it’s half that size – but its still big -like an old issue of “Interview”. Again Flow is probably the best of the fairs after ABMB and I was also surprised by the high quality at Bridge as well. I really did think these two shows were just me too art fairs – I was so wrong. Both of these shows have set the bar very high, in fact it might be that these “late bloomers” are the real future of what is going on in Miami for the next few years as far as growing the orbiting events. Neither one is using the whole location, nor are they tied to any single location giving these events the ability to grow and shrink with almost no downside. Don’t get me wrong, AQUA is a great event, however the AQUA Hotel is already full so what’s next? Other than a deeper editing in the gallery selection process, I’m not sure.

So lets get to what I saw… Johnnie Winona Ross (above) is showing a painting and a great set of prints at Elin Eagles-Smith (San Francisco) – since we last spoke about JWR – he has developed a waiting list for his paintings – but a few prints are still available. I’m as thrilled with his work as I was last year.
Trillium Press has some great things going forward, including a book of David Mamet Cartoons.
Front Room Gallery (Brooklyn) is showing works by Emily Roz Who creates large grids of images taken from movies and television. Using Polaroid film she is able to mimic the look and feel of images flickering on screen. She also is able to hold up a mirror depicting formula and genre of the american landscape.
PierreFrancois Ouellette (Quebec) is showing John Latour as a re-staging of his show, “Lost Words”. Latour is one of four who make up this show – his work occupies a space between Joseph Kosouth and edited FBI documents.
Andrew Edlin (NYC) is showing swiss photographer Mario del Curto (below) photographic the work of architect Richard Greaves. These feel like the work of someone photographing the folk art of the American south however most of these were shot in Canada – and it hardly matters. The images are eccentric and familiar, yet have are fascinating in a way thats hard to ignore them.

Back to AQUA
I meant to spend a few moments with Isaac Layman, however when I as there he was pretty busy with some folks so I put off the conversation with him for a later date. That said, lets touch on his work a little so you can see where my excitement is coming from. IL’s work sits in a relationship between the detail and the whole – it shows that the parts are more complicated than the larger whole. These images recall a sort of updated cubism that is all the more fascinating in that he is building images based of many smaller images toward a collective whole. A macro/micro type approach. Isaac Layman is showing at Soil

Platform had a number of nice Jaq Chartier’s paintings. These are always a strong and continue to impress me with the vernacular of the image that is built and referenced throughout all of the works.

Leave a Comment

Jaq Chartier is Everywhere…

So I’m minding my own business and reading the latest issue of Dwell and who do I see? thats right JC. So here’s the story – on the editor’s note page (this is the page after the table of contents) there is the letter from Allison Arieff along with a photo of her living room. So count them 5 JC’s are on the wall above her sofa. These are all from the “Testing” series and look great. Lets face it, they look great because they are…

Dwell is available at your local newsstand now.

Leave a Comment