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Category: working

GAMUT: A Group Show about Color

Cross Contemporary Art
Opening Receptions Fri & Sat. June 2 and 3, 5-8pm
Saugerties, NY

A Group Exhibition With: Jeffrey Bishop, Jeanette Fintz, Matthew Langley and David Provan
I hope you can join me in Saugerties at Cross Contemporary for an exciting exhibition with the sculpture of David Provan, and the paintings of Jeffrey Bishop and Jeanette Fintz. On exhibit will be a special presentation of a large grid of 35 of my small paintings as well as new paintings and larger paperwork. I’m thrilled to be able to exhibit these since the overwhelming response I received at CONTEXT: Art Miami in December.

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Morris Louis: Art Supplies Edition

I was doing a bit of research on the web earlier today when I stumbled over this letter from Morris Louis to Rene Bocour. It’s from the National Archives Leonard Bocour Collection. It’s essentially an order from Louis, but at the same time it’s a complaint letter.

Rene Bocour and Sam Golden supplied a paint called Magma – it is best described as an early type of acrylic paint, however, it is thinned with mineral spirits or turpentine. Magma was used by Louis, Newman and Roy Lichtenstein.

To note Magma was sold through Bocour Artists Colors. Golden is the nephew of Bocour and would later go on to create a different successful paint company called Golden Artist Colors, where an updated version of this paint is called Golden MSA Colors.

The full size easy to read letter is at the National Archives website.

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New Tech

Yesterday I had to go to DC on business and had my iPad with me as I do when I travel. Recently Jan had gotten me a stylus to use as opposed to my finger – she thought it might be helpful in taking notes. It doesn’t really work that well for me as far as notes go – however I downloaded an inexpensive program and found that I now have a digital sketchbook.

Don’t get me wrong – I love my real sketchbooks and they are not going anywhere – but this was fun and easy to do. I will admit it’s easier to draw in color this way. While traveling on the bolt bus there is no place to put your multiple color marking tools, so this is pretty good for that. A couple more samples are below.

BTW – I’m using the app called “penultimate”. More info on that is here at cocoabox.com.

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Architect and Gardeners

Brian Eno has been making the press rounds of late as his new album has been released. One of the more interesting things about Eno these days is not necessarily the music (although it’s quite good) it is the thinking around the music and his willingness to share his creative process with others.

This brings us to the most recent conversation at the Serpentine Gallery.

Eno engages us with what is a difference in the perceived notion of creative process (my words – not his) versus what has been happening in studios or wherever art is being made these days. Eno compares this approach between Architect and Gardeners.

“My topic is the shift from ‘architect’ to ‘gardener’, where ‘architect’ stands for ‘someone who carries a full picture of the work before it is made’, to ‘gardener’ standing for ‘someone who plants seeds and waits to see exactly what will come up’. I will argue that today’s composer are more frequently ‘gardeners’ than ‘architects’ and, further, that the ‘composer as architect’ metaphor was a transitory historical blip.”

While this seems at the time obvious it is also at the same time a little bit oblique. This positioning straddles a creative space that artists work in, that non-artists tend to not know (but often believe they understand). It is that space between knowing what is going to happen at the end of an artwork, and fully understanding every step, versus not knowing what is going to happen to get the final destination.

The Architect and Gardeners” presentation is available at the Edge.org website.

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Robert Fripp – Let the Power Fall

One of the things I really appreciate in the work of Robert Fripp is the structure that oversee’s his work while at the same time there are clearly areas that allow for the occasional “happy accident” or just enough looseness to allow for new things to be found and explored inside the work. I recently stumbled over this document that was included in the album of Frippertronics called “Let the Power Fall” I’ve included it here – as I find it pretty interesting.

A personal story: I worked at Crown Books in the early – through mid eighties in the DC suburbs and at one of the locations I worked at we would drink Schweppes ginger ale – which in an afternoon of store hijinks, we retitled “schweppetronics”. At the time, we considered ourselves to be pretty clever…

Let The Power Fall – By Robert Fripp

I
1. One can work within any structure.
2. One can work within any structure, some structures are more efficient than others.
3. There is no structure which is universally appropriate.
4. Commitment to an aim within inappropriate structure will give rise to the creation of an appropriate structure.
5. Apathy, i.e. passive commitment, within an appropriate structure will effect its collapse.
6. Dogmatic attachment to the supposed merits of a particular structure hinders the search for an appropriate structure.
7. There will be difficulty defining the appropriate structure because it will be always mobile, i.e. in process.

II
8. There should be no difficulty in defining aim.
9. The appropriate structure will recognize structures outside itself.
10. The appropriate structure can work within any large structure
11. Once the appropriate structure can work within any large structure, some larger structure are more efficient than others.
12. There is no larger structure which is universally appropriate.
13. Commitment to an aim by an appropriate structure within a larger, inappropriate structure will give rise to a large, appropriate structure.
14. The quantitive structure is affected by qualitative action

III
15. Qualitative action is not bound by number
16. Any small unit committed to qualitative action can affect radical change on a scale outside its quantitative measure.
17. Quantitative action works by violence and breeds reaction.
18. Qualitative action works works by example and invites reciprocation.
19. Reciprocation between independent structures is a framework of interacting units which is itself a structure.
20. Any appropriate structure of interacting units can work within any other structure of interacting units.
21. Once this is so, some structures of interacting units are efficient than others.

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