I discuss the exhibition: Fotoclubismo: Brazilian Modernist Photography, 1946–1964 at the Museum of Modern Art in New York, summer 2021.
Purchase The Exhibition catalog here: https://amzn.to/3xzEtCd
Category: 50s
This exhibition explores the early dialogues, collaborations, and the creative relationship between Ed Ruscha and Mason Williams. Williams a life-long friend of Ruscha’s since fourth grade in Oklahoma City, moved from Oklahoma to Los Angeles with Ruscha in the mid 50’s.
This exhibition focuses on a small, but extraordinary body of art by Mason Williams as well as selected early highlights of Ruscha’s earlier work. Of particular interest is Williams 36 foot long Bus (1967)—a life-size, silkscreened image of a Greyhound bus (see above) and folded like a map—conceived around the same time as Ruscha’s silver-covered Every Building on the Sunset Strip (which also unfolds to over 27 feet).
William’s and Rucha’s interests intersect on co-mingle in ways during this show I had half a feeling that really the whole show was by Ruscha, clearly that was more of a daydream of my own, but the thought remains and I have a hard time getting away from it. While this is stuck in my head, don’t let that distract you from both a physically interesting and highly cerebral show.
Alden Projects
34 Orchard Street
New York, NY
Exhibition Dates: Thursday, September 10–Saturday, October 18, 2015
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